Mike Kelley / John C. Welchman, Isabelle Graw, Anthony Vidler.
Material type: TextSeries: Contemporary artists | Contemporary artistsPublication details: London : Phaidon, 1999.Description: 160p. : ill. (chiefly col.), facsims. (some col.), col. plan, ports. ; 29 cmISBN:- 9780714838342 (hbk.) :
- 0714838349
- 730 WEL
- NB237.K4
Item type | Current library | Call number | Copy number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
Long Loan | TUS: Midlands, Main Library Athlone General Lending | 730 WEL (Browse shelf(Opens below)) | 1 | Available | 203501 |
Includes bibliographical references (p. 158-160).
Includes--Interview Isabelle Graw in conversation with Mike Kelley--Survey John C. Welchman-the Mike Kelleys--Focus Anthony Vidler Mike Kelley\'s educational complex--Artist\'s choice Georges Bataille-the use value of D.A.F. de sade (an open letter to my current comrades, 1929--Charles Fort the book of the damned, 1919--Artist\'s writings Mike Kelley, some aesthetic high points (extract), 1992--Destroy all monsters: liner notes for 3 CD box set (extract), 1994--Foul perfection: notes on caricature (extracts), 1989--In the image of man (extract), 1991--Heidi (excerpted from playing with dead things), 1992--We communicate only through our shared dismissal of the prelinguistic (extracts), 1995--Timeless/Authorless 4, 1995--Thoughts on the aesthetics of ufology (excerpted from interview with M.A. Greenstein, 1997--A stopgap measure, 1998.
Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade afghan, Kelley draws from popular culture to comment on late 20th century American society.