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Mike Kelley / John C. Welchman, Isabelle Graw, Anthony Vidler.

By: Contributor(s): Material type: TextTextSeries: Contemporary artists | Contemporary artistsPublication details: London : Phaidon, 1999.Description: 160p. : ill. (chiefly col.), facsims. (some col.), col. plan, ports. ; 29 cmISBN:
  • 9780714838342 (hbk.) :
  • 0714838349
Subject(s): DDC classification:
  • 730 WEL
LOC classification:
  • NB237.K4
Contents:
Includes--Interview Isabelle Graw in conversation with Mike Kelley--Survey John C. Welchman-the Mike Kelleys--Focus Anthony Vidler Mike Kelley\'s educational complex--Artist\'s choice Georges Bataille-the use value of D.A.F. de sade (an open letter to my current comrades, 1929--Charles Fort the book of the damned, 1919--Artist\'s writings Mike Kelley, some aesthetic high points (extract), 1992--Destroy all monsters: liner notes for 3 CD box set (extract), 1994--Foul perfection: notes on caricature (extracts), 1989--In the image of man (extract), 1991--Heidi (excerpted from playing with dead things), 1992--We communicate only through our shared dismissal of the prelinguistic (extracts), 1995--Timeless/Authorless 4, 1995--Thoughts on the aesthetics of ufology (excerpted from interview with M.A. Greenstein, 1997--A stopgap measure, 1998.
Summary: Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade afghan, Kelley draws from popular culture to comment on late 20th century American society.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Long Loan TUS: Midlands, Main Library Athlone General Lending 730 WEL (Browse shelf(Opens below)) 1 Available 203501

Includes bibliographical references (p. 158-160).

Includes--Interview Isabelle Graw in conversation with Mike Kelley--Survey John C. Welchman-the Mike Kelleys--Focus Anthony Vidler Mike Kelley\'s educational complex--Artist\'s choice Georges Bataille-the use value of D.A.F. de sade (an open letter to my current comrades, 1929--Charles Fort the book of the damned, 1919--Artist\'s writings Mike Kelley, some aesthetic high points (extract), 1992--Destroy all monsters: liner notes for 3 CD box set (extract), 1994--Foul perfection: notes on caricature (extracts), 1989--In the image of man (extract), 1991--Heidi (excerpted from playing with dead things), 1992--We communicate only through our shared dismissal of the prelinguistic (extracts), 1995--Timeless/Authorless 4, 1995--Thoughts on the aesthetics of ufology (excerpted from interview with M.A. Greenstein, 1997--A stopgap measure, 1998.

Best known for his assemblage sculptures made from stuffed children's toys, often set upon the 'stage' of a homemade afghan, Kelley draws from popular culture to comment on late 20th century American society.

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