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Community performance : a reader / edited by Petra Kuppers and Gwen Robertson.

Contributor(s): Material type: TextTextPublication details: London : Routledge, 2007.Description: 224 p. ; 24 cmISBN:
  • 9780415392303 (hbk.) :
  • 9780415392310 (pbk.) :
  • 9780415392310 (pbk.) :
  • 0415392306 (cased) :
  • 0415392314 (pbk.)
  • 9780415392303 (cased) :
Subject(s): DDC classification:
  • 792.022 KUP
LOC classification:
  • PN3203
Contents:
1.Augusto Boal. Poetics of the oppressed -- 2.Paulo Freire. Pedagogy of the oppressed -- 3.Gerald Delanty. Critiques of community: Habermas, Touraine and Bauman -- 4.Petera Kuppers. Community arts practices: improvising being-together --5.Anita Gonzalez. Tactile and vocal community in Urban Bush Women\'s Shelter and Praise House -- 6.Dwight Conquergood. Performing as a moral act: ethical dimensions of the ethnography of performance -- 7.Jessica Berson. Mass movement: Laban\'s movement choirs and community dance -- 8.Baz Kershaw. Performance, community, culture -- 9.Nicolas Bourriad. Relational form -- 10.Gwen Robertson. An art encounter: rethinking, renaming, redifining -- 11.Becky Shaw. The generosity project -- 12.Cedar Nordbye. Empire project -- 13.Devora Neumark. Home is where the walls speak in familiar ways: listening to the demands of ethics and witness in community performance -- 14.Theresa J. May. Toward communiative democracy: developing Salmon is everything -- 15.Ubon S. Nda. Preferring a drama-based model for sustainable development advocacy: the Ikot Ayan Itam Theatre for development experience -- 16.Marcia Blumberg. Puppets doing time in the age of AIDS -- 17.Graham Pitts. reLOCATED -- 18.Ana Flores. AIDS narrative murals -- 19.Libby Worth and Helen Poynor. The Moutain Performances. Circle the earth and The Planetary Dance -- 20.Christine Lomas. Culture constructs, community, and celebration -- 21.Petra Kuppers. Straitjackets of representation -- 22.Deborah Hay. My body trusts the unknown -- 23.Cynthia Novack. Contact improvisation: an introduction --24.Terry Galloway, Donna Marie Nudd and Carrie Sandhal. \'Actual lives\' and the ethic of accommodation -- 25.Diane Amans. At age: an intergenerational dance project -- 26.Jahn Cohen-Cruz. Compositions: The Liz Lerman dance exchange -- 27.Rebecca Caines. Haunted voices in everyday spaces: the community-based hip-hop of Australian \'Guerrilla\' artist morganics -- 28.Glenda Dickerson. Festivities and jubilations on the graves of the dead: sanctifying sullied space -- 29.Eugene van Erven. Philippine Community Theatre in the 1990s.
Summary: A rare hybrid of text and handbook, 'Community Performance' answers the need of a field where so much teaching is orientated around practice, and provides a conceptual sourcebook with coverage of historical and theoretical aspects as well.
Holdings
Item type Current library Call number Copy number Status Date due Barcode
Long Loan TUS: Midlands, Main Library Athlone General Lending 792.022 KUP (Browse shelf(Opens below)) 1 Available 204745

Includes index.

1.Augusto Boal. Poetics of the oppressed -- 2.Paulo Freire. Pedagogy of the oppressed -- 3.Gerald Delanty. Critiques of community: Habermas, Touraine and Bauman -- 4.Petera Kuppers. Community arts practices: improvising being-together --5.Anita Gonzalez. Tactile and vocal community in Urban Bush Women\'s Shelter and Praise House -- 6.Dwight Conquergood. Performing as a moral act: ethical dimensions of the ethnography of performance -- 7.Jessica Berson. Mass movement: Laban\'s movement choirs and community dance -- 8.Baz Kershaw. Performance, community, culture -- 9.Nicolas Bourriad. Relational form -- 10.Gwen Robertson. An art encounter: rethinking, renaming, redifining -- 11.Becky Shaw. The generosity project -- 12.Cedar Nordbye. Empire project -- 13.Devora Neumark. Home is where the walls speak in familiar ways: listening to the demands of ethics and witness in community performance -- 14.Theresa J. May. Toward communiative democracy: developing Salmon is everything -- 15.Ubon S. Nda. Preferring a drama-based model for sustainable development advocacy: the Ikot Ayan Itam Theatre for development experience -- 16.Marcia Blumberg. Puppets doing time in the age of AIDS -- 17.Graham Pitts. reLOCATED -- 18.Ana Flores. AIDS narrative murals -- 19.Libby Worth and Helen Poynor. The Moutain Performances. Circle the earth and The Planetary Dance -- 20.Christine Lomas. Culture constructs, community, and celebration -- 21.Petra Kuppers. Straitjackets of representation -- 22.Deborah Hay. My body trusts the unknown -- 23.Cynthia Novack. Contact improvisation: an introduction --24.Terry Galloway, Donna Marie Nudd and Carrie Sandhal. \'Actual lives\' and the ethic of accommodation -- 25.Diane Amans. At age: an intergenerational dance project -- 26.Jahn Cohen-Cruz. Compositions: The Liz Lerman dance exchange -- 27.Rebecca Caines. Haunted voices in everyday spaces: the community-based hip-hop of Australian \'Guerrilla\' artist morganics -- 28.Glenda Dickerson. Festivities and jubilations on the graves of the dead: sanctifying sullied space -- 29.Eugene van Erven. Philippine Community Theatre in the 1990s.

A rare hybrid of text and handbook, 'Community Performance' answers the need of a field where so much teaching is orientated around practice, and provides a conceptual sourcebook with coverage of historical and theoretical aspects as well.

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