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New screen media : cinema/art/narrative / edited by Martin Rieser and Andrea Zapp.

Contributor(s): Material type: TextTextPublication details: London : British Film Institute, 2001.Description: 288p. : ill. ; 25 cmISBN:
  • 9780851708652 (hbk.) :
  • 9780851708645 (pbk.) :
  • 9780851708645
Subject(s): DDC classification:
  • 302.23 RIE
LOC classification:
  • P91
Contents:
PART 1 ORIENTATIONS: HISTORY AND THEORY Definitions Sean Cubitt Spreadsheets, Sitemaps and Search Engines: Why Narrative is Marginal to Multimedia and Networked Communication, and Why Marginality is More Vital than Universality Paul Willemen Reflections on Digital Imagery: Of Mice and Men Origins Soke Dinkla The Art of Narrative--Towards the Floating Work of Art Peter Weibel Narrated Theory: Multiple Projection and Multiple Narration (Past and Future) Annika Blunck Towards Meaningful Spaces Lev Manovich Computerisation and Film LanguageConvergence Andrea Zapp net.drama:// myth/mimesis/mind_mapping/ Alex Butterworth and John Wyver Interactive or Inhabited TV:Broadcasting for the 21st Century Chris Hales New ParadigmsNew Movies Interactive Film and New Narrative Interfaces Beyond Narrative? Ken Feingold The Interactive Art Gambit Jon Dovey Notes Toward a Hypertextual Narrative Theory Martin Rieser The Poetics of Interactivity: The Uncertainty Principle Eku Wand Interactive Storytelling: The Renaissance of Narration Grahame Weinbren Mastery (Sonic C\'est Moi) PART 2 EXPLORATIONS: A NEW PRACTICE Restructuring Time Jill Scott Crossing and Collapsing Time: Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage Toni Dove The Space Between: Telepresence, Re-animation and the Re-casting of the Invisible Redefining Space George Legrady Intersecting the Virtual and the Real: Space in Interactive Media Installations Malcolm Le Grice Dream Time and Digital Media: Computers, Cinema and the Transformation of Authorship Bill Seaman Recombinant Poetics: Emergent Explorations of Digital Video in VirtualSpace Beyond the Screen Luc Courchesne The Construction of Experience: Turning Spectators into Visitors Jeffrey Shaw Movies after Film: The Digitally Expanded Cinema -- Emotions encoded. Meerel Mirage -- The personalised interface -- An ersatz of life: the dream life of technology. Zoe Beloff -- The good cook: a vertical axis in interactive. Narrative construction. Michael Buckley -- Mongrel\'s National Heritage: reporting the experience. Graham Harwood.
Summary: This text presents the work of cultural theorists and philosophers of new media, together with the perspectives of artists experimenting with different interactive models critically examining their own practice.
Holdings
Item type Current library Call number Vol info Copy number Status Date due Barcode
Long Loan TUS: Midlands, Main Library Athlone General Lending 302.23 RIE (Browse shelf(Opens below)) 1 Available 00212855
Long Loan TUS: Midlands, Main Library Athlone DVD 302.23 RIE (Browse shelf(Opens below)) DVD 142 1 Available 205967

Includes DVD.

Includes bibliographical refences and index.

PART 1 ORIENTATIONS: HISTORY AND THEORY Definitions Sean Cubitt Spreadsheets, Sitemaps and Search Engines: Why Narrative is Marginal to Multimedia and Networked Communication, and Why Marginality is More Vital than Universality Paul Willemen Reflections on Digital Imagery: Of Mice and Men Origins Soke Dinkla The Art of Narrative--Towards the Floating Work of Art Peter Weibel Narrated Theory: Multiple Projection and Multiple Narration (Past and Future) Annika Blunck Towards Meaningful Spaces Lev Manovich Computerisation and Film LanguageConvergence Andrea Zapp net.drama:// myth/mimesis/mind_mapping/ Alex Butterworth and John Wyver Interactive or Inhabited TV:Broadcasting for the 21st Century Chris Hales New ParadigmsNew Movies Interactive Film and New Narrative Interfaces Beyond Narrative? Ken Feingold The Interactive Art Gambit Jon Dovey Notes Toward a Hypertextual Narrative Theory Martin Rieser The Poetics of Interactivity: The Uncertainty Principle Eku Wand Interactive Storytelling: The Renaissance of Narration Grahame Weinbren Mastery (Sonic C\'est Moi) PART 2 EXPLORATIONS: A NEW PRACTICE Restructuring Time Jill Scott Crossing and Collapsing Time: Re-constructing (Her) Historical and Ideological Film Narratives on a Transformed Stage Toni Dove The Space Between: Telepresence, Re-animation and the Re-casting of the Invisible Redefining Space George Legrady Intersecting the Virtual and the Real: Space in Interactive Media Installations Malcolm Le Grice Dream Time and Digital Media: Computers, Cinema and the Transformation of Authorship Bill Seaman Recombinant Poetics: Emergent Explorations of Digital Video in VirtualSpace Beyond the Screen Luc Courchesne The Construction of Experience: Turning Spectators into Visitors Jeffrey Shaw Movies after Film: The Digitally Expanded Cinema -- Emotions encoded. Meerel Mirage -- The personalised interface -- An ersatz of life: the dream life of technology. Zoe Beloff -- The good cook: a vertical axis in interactive. Narrative construction. Michael Buckley -- Mongrel\'s National Heritage: reporting the experience. Graham Harwood.

This text presents the work of cultural theorists and philosophers of new media, together with the perspectives of artists experimenting with different interactive models critically examining their own practice.

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