Philosophy of film and motion pictures: an anthology / edited by Noël Carroll and Jinhee Choi.

Contributor(s):

Material type: Text

TextSeries: Blackwell philosophy anthologies ; 24.Publication details: Oxford : Blackwell, 2006.Description: ix, 430 pages, coloured illustrations, 25 cmContent type:

Media type:

ISBN:

9781405120272
1405120274
9781405120265
1405120266

Additional physical formats: Philosophy of film and Motion Pictures [Ressource électronique] : an anthology / Ed. by Noël Carroll and Jinhee Choi.DDC classification:

791.4301 CAR 22

Contents:

Part I.Film as art Introduction. 1.Photography and representation. Roger Scruton 2.The aesthetics of photographic transparency. Dominic Mciver Lopes 3.Everybody gets a cut: DVDs give viewers dozens of choices - and that's the problem. Terrence Rafferty Part II.What is a film? Introduction. 4.The world viewed. Stanley Cavell 5.A note on the film. Susanne K. Langer 6.Vision and dream in the cinema. F. E. Sparshott 7.The long goodbye: the imaginary language of film. Gregory Currie 8.Moving pictures. Arthur C. Danto 9.Defining the moving image. Noel Carroll Part III.Documentary Introduction. 10.Visible traces: documentary and the contents of photographs. Gregory Currie 11.Fiction: non-fiction, and the film of presumptive assertion: a conceptual analysis. Noel Carroll. Introduction. 12.Le Grand Imagier steps out: the primitive basis of film narration. George M. Wilson 13.Unreliability reconfigured: narrative in literature and film. Gregory Currie 14.Film, emotion, and genre. Noel Carroll 15.Fearing fictions. Kendall Walton 16.Empathy and (film) fiction 17.Identification and emotion in narrative film. Berys Gaut 18.In fictional shoes: mental simulation and fiction. Deborah Knight Part VI.Topics in film criticism Introduction. 19.Morals for method. George M. Wilson 20.Cinematic authorship. Paisley Livingston 21.National cinema, the very idea. Jinhee Choi Part VII. Films and ethics Introduction. 22.Film criticism and virtue theory. Joseph H. Kupper 23.Beauty and evil: the case of Leni Riefenstahl's Triumph of the Will. Mary Deveraux 24.A first look at the pornography/civil rights ordinance: could pornography be the subordination for women? Part VIII.Film and knowledge Introduction. 25.The philosophical limits of film. Bruce Russell 26.Minerva in the movies: relations between philosophy and film. Karen Hansons 27.Motion pictures as a philosophical resource. Lester H. Hunt.

Holdings ( 2 )
Title notes ( 2 )

Holdings
Item type	Current library	Call number	Status	Date due	Barcode
Long Loan	TUS: Midlands, Main Library Athlone General Lending	791.430 1 CAR (Browse shelf(Opens below))	Available		220297
Long Loan	TUS: Midlands, Main Library Athlone General Lending	791.4301 CAR (Browse shelf(Opens below))	Available		220296

Includes bibliographical references (p.407-414) and index.

Part I.Film as art Introduction.
1.Photography and representation. Roger Scruton 2.The aesthetics of photographic transparency. Dominic Mciver Lopes 3.Everybody gets a cut: DVDs give viewers dozens of choices - and that's the problem. Terrence Rafferty Part II.What is a film? Introduction.
4.The world viewed. Stanley Cavell 5.A note on the film. Susanne K. Langer 6.Vision and dream in the cinema. F. E. Sparshott 7.The long goodbye: the imaginary language of film. Gregory Currie 8.Moving pictures. Arthur C. Danto 9.Defining the moving image. Noel Carroll Part III.Documentary Introduction.
10.Visible traces: documentary and the contents of photographs. Gregory Currie 11.Fiction: non-fiction, and the film of presumptive assertion: a conceptual analysis. Noel Carroll. Introduction.
12.Le Grand Imagier steps out: the primitive basis of film narration. George M. Wilson 13.Unreliability reconfigured: narrative in literature and film. Gregory Currie 14.Film, emotion, and genre. Noel Carroll 15.Fearing fictions. Kendall Walton 16.Empathy and (film) fiction 17.Identification and emotion in narrative film. Berys Gaut 18.In fictional shoes: mental simulation and fiction. Deborah Knight Part VI.Topics in film criticism Introduction.
19.Morals for method. George M. Wilson 20.Cinematic authorship. Paisley Livingston 21.National cinema, the very idea. Jinhee Choi Part VII. Films and ethics Introduction.
22.Film criticism and virtue theory. Joseph H. Kupper 23.Beauty and evil: the case of Leni Riefenstahl's Triumph of the Will. Mary Deveraux 24.A first look at the pornography/civil rights ordinance: could pornography be the subordination for women? Part VIII.Film and knowledge Introduction.
25.The philosophical limits of film. Bruce Russell 26.Minerva in the movies: relations between philosophy and film. Karen Hansons 27.Motion pictures as a philosophical resource. Lester H. Hunt.