Entangled voices [electronic resource] : genre and the religious construction of the self / Frederick J. Ruf.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- PR145 .R85 1997
Item type | Current library | Call number | Status | Date due | Barcode | |
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Ebook | TUS: Midlands, Main Library Athlone Online | eBook (Browse shelf(Opens below)) | Available |
Includes bibliographical references (p. 103-120) and index.
Introduction: hearing voices -- ch. 1. The voices of narrative, lyric, and drama: The three characteristics of narrative -- Lyric -- Drama -- ch. 2. "Jogona's great treasure": narrative, lyric, and dramatic intelligibility: Intelligibility: Comprehensiveness and cohesion -- Conclusions -- ch. 3. "Intoxicated with intimacy": the lyric voice in John Donne's Holy sonnets: Unruly autobiography -- Donne's Holy sonnets -- Donne's lyric self -- The lyric voice -- ch. 4. "The circle of chalk": narrative voice in Primo Levi's The periodic table: The periodic table -- The aspiration to narrative -- Narrative instability -- "The rich and messy domain" -- ch. 5. "Survival and distance": the dramatic voice in Robert Wilson's Einstein on the beach: Einstein on the beach -- Dramatic voice in Einstein -- The dramatic voice and religion -- The dramatic self -- ch.. 6. "Harmonized chaos": the mixed voice of Coleridge's Biographia literaria: The biographia literaria -- The form of the Biographia -- Dissociation, fragmentation, and incoherence -- Harmony and unity -- Ramifications: the "mixed" self -- ch. 7. Conclusion: genre and instability.
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.